24Goddess Rhythm
(After Inger Christensen)
By a trained mind (self-propelled, connected group of
rolling stock)
using a succession of wave fronts, or oscillations, or
a - the trace of light created by a meteor falling thru the atmosphere,
system organizes itself, somehow takes
you witting or not as if you were train, b - the tail of a comet
"are you going w/ me?" she does not ask. She's
trying
to remain holistic, simultaneous, synthetic, concrete, trying to
reveal deities in thunderheads,
the rhythm of her hips what makes walls shake, the
rhythm of the sway of her hips is motion inherent
@ the beginning
of the poem process, creative process,
this is
the story of how a
universe is born, are
you listening?
In
the shift writing has created, so says Dr. Shlain
creation must crack thru the dried earth to tell non-linear
story must give up
first world, amniotic world (in the mind,
there one needs to hatch). This
is denoted by mostly
silence (certainly no machines, barely heard
whir of plane overhead)
then
come those rhythms again, they instill & mystify your
patterns become your myth become your gift your doomsalvation.
You have an inherent tendency to seek the hall, the trance,
you
have an urge procreant. It is a life-force seeking
access to the seeing world, world of letters, seeking
to allow your mundane sight bring mind as ally
a bit of work here where the train comes in the training, a
universe waits in recognition
that doppler sound
begins
to appear, a doppler of motion curves air. These waves
carry
you & the fledgling story into next realm will you ride them?
Ride
into
something unknown, perhaps the motion is straight into
that fear, giant & unwashed, into the shadow
you will find answers in the wound the womb you
would
never
have gone there on your own, yet she is w/ you. She has
been there & back looked God in the face
able to transfix w/ her hips that
hipsway
to make the querent sleepy. Can you
see now or have you not heard the silence
or have you still a mind you wanna
write?
8.24.01 from Poems for the Millennium, Volume 2,
pg 535